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Shiva and Parvati¹
Provenance: Mandi, India
ca. 1810-1820
Victoria and Albert Museum, London
Collection number: 4648C/(IS)

Dionysus was one of the Greeks' major gods, and was worshipped by them; and to him as an object of worship, Euripides seems to adopt an attitude which was critical and satirical. The poet prepares and accompanies the god's final manifestation with such discordant themes, that Dionysus' glory becomes a mockery. Greek plays were staged to celebrate and honor Dionysus (paralleling this, Indian plays invoke Shiva), who holds in him both the fearful powers of the mind and creativity and freedom. In contrast to him stands Apollo, the personification of order, tradition and culture.

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This painting by an unknown artist depicts Shiva and his family on Mount Kailash. Shiva is wearing a leopard skin and has a cobra around his neck, with the crescent moon, Som, adorning his brow. To his right sits his wife, Parvati, the daughter of Himalaya, nursing their son, Karttikeya, while their other son, Ganesha, peeks out from behind his father. The mounts of the holy family are also present: Shiva’s bull Nandi, Parvati’s tiger, Ganesha’s rat, and Kartikkeya’s peacock. Below the family stands a group of sages and a group of deities, all showing respect with folded hands. Amongst the deities paying homage are Vishnu, Brahma, and Indra, while Hanuman, an incarnation Shiva’s Rudra form, stands closer to the family circle.

Besides the lofty abode of the Olympians, Dionysus is also always associated with Mount Nysa, just as Shiva is always associated with Kailash. Daniélou suggests that Shiva and Dionysus were the same deity whose rites and symbols began to appear in the sixth millenium BC, during the Neolithic period². This painting depicts a few of those symbols shared by the two gods: the snake, the Lady of the Mountains, the leopard skin, and the bull.

1. http://collections.vam.ac.uk/item/O67676/shiva-and-parvati-painting-unknown/.
2. Alain Daniélou, Shiva and Dionysus, trans. K.F. Hurry (London: East-West Publications Ltd, 1979), 32.